Anaheim In My Heart

 

Arrowhead Pond

Anaheim (California), USA.

01 - April - 2005.

Attendance: 16.768 (sellout) - Support: Kings of Leon

 

 

Disc 1 (59:38)

 

01. Wake Up (PA) / Everyone (PA)

02. Love and Peace or Else

03. Sunday Bloody Sunday

04. Bullet the Blue Sky 

05. The Hands That Built America / Johnny Comes Marching Home

06. Running to Stand Still

07. - Declaration of Human Rights -

08. I Still Haven't Found What I'm Looking For

09. New Year's Day

10. Miracle Drug

11. Sometimes You Can't Make it on Your Own

12. Beautiful Day

13. Pride (In the Name of Love)

14. Where the Streets Have No Name

 

 

Disc 2 (58:12)

 

01. One / - Everyone (over PA) -

02. Zoo Station

03. The Fly

04. Elevation

05. Mysterious Ways

06. City of Blinding Lights

07. Vertigo / Stories for Boys

08. All Because of You

09. Yahweh

10. "40"

 

 

Recording Equipment - History

AT831 > SP-SPSB-2 (rolloff @ 107mHz) > M1 

 

Taper: Edgar

Location: 12-15 feet in front of / outside elipse tip DFC

Transfer: M1 > oade active cable > monster coax > emagic emi 2/6 > soundforge 6.0 > CDWave > mkw (SHN)

 

Comments

A bright recording of a very good concert. Again a powerful and crisp source, with music and vocals coming through pretty clean. However, it sounds harsh on a few moments, like Zoo Station, but the recording brings excellent sound quality overall. It also lacks more punch on the bass, although Adam notes are audible. There is minimal audience noise, usually placed between songs, with crowd adding a very nice live atmosphere.

 

The band changed the setlist order in the first songs, opening with Love and Peace or Else. This puts on display the difference between the current tour and ZooTV, PopMart and Elevation tours, where the beginning of the shows were too rigid / static. It seems The Edge fails to play the intro guitar riff of Sunday Bloody Sunday, as Bono remarks at one spot. As the previous nights, it seems Zoo Station still needs more rehearsal. Beautiful Day is highly well-received by the audience, as if it was a long-time classic. Finally, I have to admit that I really love tonight version of City of Blinding Lights, without the keyboard-introduction and bells sequences: it sounds to me harder, sharper.