East Rutherford 13-08-1992
Giants Stadium
East Rutherford (New Jersey), USA.
13 - August - 1992.
Attendance: 54.500 (sellout) - Support: Primus, Disposable Heroes of Hiphoprisy
Disc 1 (62:23)
01. George Bush Rap (PA)
02. Zoo Station
03. The Fly
04. - Surfing Channels -
05. Even Better than the Real Thing
06. Mysterious Ways
07. One / She's a Mystery to Me
08. Until the End of the World
09. New Year's Day
10. - Larry's speech -
11. Tryin' to Throw Your Arms Around the World
12. Angel of Harlem
13. When Love Comes to Town
14. I Still Haven't Found What I'm Looking For
15. All I Want is You
Disc 2 (44:56)
01. Sunday Bloody Sunday
02. Bullet the Blue Sky
03. Running to Stand Still
04. Where the Streets Have No Name
05. Pride (In the Name of Love)
06. Desire
07. With or Without You
08. Love is Blindness
Recording Equipment - History
Audio Technica 831b + Sony TCD-D3 > DAT Master
Taper: Steve Hendrix
Location: third row dead center in the rain in front of a monitor
Lineage: DAT Master > Sony 600 > Pioneer stand-alone CDR burner > CDR-Master > EAC (secure) > WAV > Soundforge 8 (edits) > CDWave (tracking) > Trader's Little Helper > FLAC
Mastering: Jason Engel
Recording Info:
- Mics set to fla response instead of bass roll-off.
- DAT set to minus 20dbs in SP mode
Mastering Info:
- Three tracks total across two discs, used EAC in secure mode to pull WAV files
off the CDs.
- Joined the three WAV files into one (first splice is clean, but the start of
the encore is an obvious break).
- Fade-in start, fade-out at end of Pride, fade-in at start of Desire, fade-out
end.
Additional notes (by Steve Hendrix):
The only problem with the transfer is the encore DAT was destroyed or lost or something because I can't find it. Luckily I cloned it onto the part one master DAT. The only difference is the transfer of the main set was optical and the encore transfer was analog.
Additional notes (by Jason Engel):
Arguably the best overall sound quality of the five DAT masters I've posted for Steve, but not the best concert. Instruments sound about as perfect as you could ever want, but the vocals are weak, almost drowned out by everything else in some cases (Love is Blindness with the quieter instruments worked the best for me, but others were generally enjoyable at louder volumes). Of the five DATs, this one was the loudest, sounding good at low volumes and simply amazing at higher ones with no hiss or artifacts often evident when cranking up the volume. There's a break between the end of the first set and the encore (there was only one), so I faded out Pride and faded in Desire, mostly to eliminate irritating chatter. I do have one gripe with this recording: It does such an amazing job of capturing the sound of this concert, but that means it also does an amazing job of capturing the people around Steve. While it's generally just chatter limited to spots in between songs, there are several instances of one guy being a truly obnoxious screamer (just before end of Running be certain to turn your volume down) and at least one woman who is swearing a lot. Overall, a tremendous recording, easily an A-.
Comments
This is the second of four recordings I have of this show. The source is the same master DAT that the first recording I have. In other words: both come from Steve Hendrix's source. Moreover, this second recording comes directly from the master CDRs. But the output is a little weaker than my first recording, that comes from second gen CDRs. This first recording (second gen CDRs) sounds crisper and punchier, so it has been remastered in a step of its lineage for sure.
Sound quality is excellent with a clear and close capture of music and vocals. Crispness is fantastic although the output is a bit bass-dominated. Crowd noise is audible but nothing too detracting. The only minor to note is that vocals are somewhat lower in the mix.