Electric Ballroom

Wembley Stadium

London, U.K.

22 - August - 1997.

Attendance: 72.154 (sellout) - Support: Audioweb, Longpigs

Disc 1 (70:11)

01. Pop Muzik (PA)

02. Mofo

03. I Will Follow

04. Gone

05. Even Better than the Real Thing

06. Last Night on Earth

07. Until the End of the World

08. New Year's Day

09. Pride (In the Name of Love)

10. Neon Lights / I Still Haven't Found What I'm Looking For

11. All I Want is You

12. Staring at the Sun

13. - Suspicious Minds  (karaoke) -

14. Miami

15. Bullet the Blue Sky

Disc 2 (53:17)

01. Please

02. Where the Streets Have No Name

03. - Lemon Intermission (PA) -

04. Discothèque / Black Betty

05. If You Wear That Velvet Dress

06. With or Without You

07. Hold Me, Thrill Me, Kiss Me, Kill Me

08. Mysterious Ways

09. One

10. Wake Up Dead Man

Recording Equipment - History

Sony ECM 717 mics + Philips DCC 170 master > CDR

Taper: J. Lamboley

Comments

An excellent recording overall. It sounds powerful and very close, with all instruments pretty well audible, and music coming through quite clear and clean. Audience noise is a bit harsh, but never really distracting (except for a screaming girl before Discothèque). There are rough transitions (as if some editing was performed) between a pair of tracks. A good example is Miami -> Bullet the Blue Sky. A little skip at 04:20 in Mofo can be heard, and a fading process at the end of Please that kills a good portion of the song (around one minute or so).