Staring at the Sun in Miami
Pro Player Stadium
Miami (Florida), USA.
14 - November - 1997.
Attendance: 42.778 (capacity: 44.500) - Support: Smash Mouth
Disc 1 (59:06)
01. Pop Muzik (PA)
02. Mofo
03. I Will Follow
04. Gone
05. Even Better than the Real Thing
06. Last Night on Earth
07. Until the End of the World
08. New Year's Day
09. Pride (In the Name of Love)
10. I Still Haven't Found What I'm Looking For
11. All I Want is You
12. Staring at the Sun
13. Sunday Bloody Sunday
Disc 2 (64:22)
01. Miami
02. Bullet the Blue Sky
03. Please
04. Where the Streets Have No Name
05. - Lemon Intermission (PA) -
06. Discothèque
07. If You Wear That Velvet Dress
08. With or Without You
09. Hold Me, Thrill Me, Kiss Me, Kill Me
10. Mysterious Ways
11. One
Recording Equipment - History
1st Gen DAT > CDR(u)
Comments
Brilliant sound quality in this recording. The output is strong and offers a quite clear and very crisp sound. However, it is tiny distant. Audience noise is not an issue, softly audible between songs, and never being annoying. Wake Up Dead Man is missing in this recording.
The recording is not flawless. I have traded this concert twice, and both versions have the same flaws. I detected a high number of very slight ticks between tracks in both CDs (mostly on CD1). Skips during songs occur a few times, too.
Let's begin with CD1. Pop Muzik contains a skip at 0:34 that cuts out a few seconds of the song. Another skip was found at 04:16 in Gone, that also cuts out a couple of seconds, just at the end. More skipping can be heard at the first few seconds of Even Better, that speeds-up the song for a moment. The most nasty skipping occurs in Until the End of the World, from 03:01 to 03:11 (speeds-up the song), 03:48, 03:50, 03:56 and from 04:01 to 04:04. The song finishes with a very noticeable click with New Year's Day. One more skip at 0:25 in Sunday Bloody Sunday that cuts off the first verse.
In CD2, Please has a tiny tick at 03:42, and another skip at 04:08 that also cuts off a few seconds of the song. It seems to be a slight edit just during the transition between tracks 4 and 5. Another noticeable edit happens between tracks 8 and 9.